In the labyrinth of cinematic history, there exists a peculiar subgenre that both revels in and critiques the very notion of confinement: the women-in-prison film. “Caged Heat,” Jonathan Demme’s 1974 directorial debut, stands as a curious artifact within this realm. It is a film that attempts to straddle the line between exploitation and social commentary, yet often finds itself ensnared in the very clichés it seeks to transcend.

I haven’t been to many arena shows, but of the total, three of them were Prince. They’re incredible. Twenty thousand screaming fans, pulsating lights, the