
A Guilty Pleasure in Wolf’s Clothing
Mike Nichols’ Wolf (1994) is the cinematic equivalent of a designer soap opera with fangs—a movie that struts into the room wearing a tailored jacket

Mike Nichols’ Wolf (1994) is the cinematic equivalent of a designer soap opera with fangs—a movie that struts into the room wearing a tailored jacket
I recently had the pleasure of joining Nikki Kinzer on Brooke Schnittman’s podcast, Successful with ADHD. Brooke is fantastic and has a stellar handle on
Jon Marcus at The Hechinger Report takes a deep dive into the “enrollment cliff” — the sharp decline in the number of 18-year-olds starting this
The brain of a creator is a maze of ideas, distractions, and connections—a vibrant, chaotic force that can feel both exhilarating and overwhelming. For those

Jennifer’s Body (2009) is a film brimming with ambition, blending horror, satire, and coming-of-age drama into a sharp critique of power, sexuality, and friendship. Diablo

Andrzej Żuławski’s 1981 psychological horror-drama is a visceral, unsettling exploration of what happens when love, trust, and identity disintegrate under the weight of human frailty

In 1975, Roger Corman—a name synonymous with low-budget, high-concept filmmaking—produced Death Race 2000, a dystopian sci-fi car race movie that is equal parts satire, absurdity,

When I was a teenager, I wanted to be a spy. You get it, right? The moral ambiguity, the intricate betrayals, the sense that everyone is moving across a board like a chess piece, never quite sure who’s playing them and who’s being played. The best ones—think *The Spy Who Came in from the Cold*—capture not just the mechanics of espionage but the psychological weight of it. *A Dandy in Aspic* (1968) wants to be one of those films.

Brooke Schnittman’s book hits the sweet spot for the ADHD brain.
Todoist adds deadlines and changes the way to think about working time along the way.