It's me, Pete... from the podcast.

There has been much ink spilled from old-school Mac users and their experiences with their first Macs on this, the official birthday of the Macintosh. I was not an old-school Mac user. I was a switcher.

When the first Macintosh dropped, I was using an already-yellowing Apple II in my bedroom, swapping floppies to play through The Bard’s Tale. I remember meeting the Mac for the first time, though. Dad took me to his boss’s house, Jim Lucas, who had bought the first one for his home office. I drew on it with a mouse in MacPaint. I was 12 and gobsmacked.

When we upgraded from the Apple II, Dad picked an IBM P/S2. It wasn’t boring, but it didn’t live up to the pre-Mac Apple in my book. It also introduced the first format battles in our home, as all the computers at school were Apple.

That was it. From then on, I was mostly a PC kid. Through high school and college, I ended up building my own machines, a process I adored and learned a lot. I spent a little time with Dell, then a dalliance with Sony Vaio laptops. I didn’t think much about Macs through those years.

Then I got married, and memories became more important. I picked up what Apple was doing with music, photos, and videos. I would spend my lunch hour at work wandering from Mac to Mac at our local Beaverton Mac Store, typing on them, clicking around. I tortured those guys for a year before I pulled the trigger on my first Mac, the white polycarbonate iBook.

I thought it looked cool. Come to find out, the purists weren’t so keen on it. But it was my entry into the Apple ecosystem. I came to it late. With the exception of a few late-night computer lab sessions in high school, I never really lived with anything before OS X. In fact, that iBook shipped with Cheetah on it, macOS 10.0, when I booted it for the first time. I am a macOS X native.

But there is no doubt that my experience with that first Mac changed my life. There was nothing on Windows that allowed me to work as fluidly in my native language of audio, video, and image as I could on the Mac. There was nothing that allowed me to return to my roots as a broadcaster and launch a podcast business just five years later like I could on the Mac. Most importantly, there was nothing that approached the level of joy on Windows like the joy I had on the Mac, from the tactile experience of using it to the cognitive experience of living with it.

I thought I might try to recover the list of Macs I have owned. Owing to my impulsivity, this might be tricky.

iBook, 2001. Fantastic My First Mac.

iPod Gen 1. Okay, not a Mac. When I did the Switcher campaign, they comped us all one of these.

PowerBook G4 12.1”, 2004. Still a favorite in the line-up. That era of PowerBook keyboards just dominated.

Power Macintosh G5, late 2005. This was a complete coup. I managed to get my Windows-only organization to sign off on a custom G5 just for me since I was doing “new media.” When I left, they didn’t know what to do with it and let me walk away with it, plus two 24” displays. Crazy.

In 2009, things got muddy. I pretty much swapped out a 15” MacBook Pro every two years for a while. At some point, I downsized from the giant G5 to a MacMini in my office closet and a MacBook Air for the road. Production slowed way down for a spell, but I enjoyed the computers.

In 2019, I thought I might be able to do a bunch of work on an iPad Pro. Why do I keep hitting myself in the head with this particular hammer?

OK, 2020. Things get clearer. Over the course of three or four months, I secured an M1 MacBook Air and then an M1 MacMini. Production picked up. A lot. That was a reinvigoration of computing, the likes of which I had not experienced since I got the first iBook nearly twenty years prior. I didn’t stick with those two for long, though, because when the M1 MacBook Pros came out, I sold them both, went back to the single-computer lifestyle, and started driving the M1 MBP Max. It was transformational.

Until I got the M3 MacBook Pro Max, which brings us to the now.

Today’s Apple is as complex an organism as it has ever been. I don’t love the choices they’ve made around developer relations and payments. They look greedy and capricious. My emotional side, unmetered and frustrated, wants to stand up and shout, “That’s not myApple.” But that’s neither fair nor true. It’s also vastly more complicated than this post is meant to be.

This post is about my experience with the Mac and my love of the devices these last 23 years. For that, I don’t need headlines and talk of stock prices and valuations. I don’t need to talk about corporate greed or unfair competition. All I need to do is rub my fingers over the keys of this laptop and enjoy the experience of grazing across 40 years of innovation, evolution, care, and attention that has helped me chart a new path for my career and my family so joyously.

So, thanks, Mac. And, in honor of those of us who fancy ourselves just as crazy as the originals but a few years late, here’s my contribution, an ode to the first Crazy Ones contributed by Rob Siltanen, Lee Clow, and others. We got here, eventually.

Here’s to the late bloomers. The converts. The Switchers. The round pegs who eventually found their round holes. The better late than neverers. The ones who thought the same before they could think different. You can quote them, disagree with them, glorify, or vilify them. About the only thing you can’t do is count on them to be on time. Because they changed things for themselves, just later, they pushed their own lives forward alone for too long. And while some may see them as behind the curve, we see the courage. Because the people who are brave enough to admit they were wrong at first and change course to do what’s right in due time are the ones who inspire us the most.

It’s been a long time, and I’m not sure what I’m doing. But I think it’s time to clean the place up and get back to blogging.

I started this blog in 2001 in an effort to write about my life on becoming a father. I wrote some posts, but that effort was pretty quickly usurped by the act of actually becoming a father. After that, the writing changed.

The site evolved into — then back out of — a link blog. The posts migrated into and out of other sites I built and other domains over the years. Eventually, everything went dormant, and the site went completely offline, starting right around 2018.

All the time, the posts were still there, resting quietly in a long-ago unpaid Squarespace account. Did you know they keep those things around forever? I guess? I paid for a month of service to migrate the posts again and bring them into yet another word reservoir.

There are … I dunno … hundreds of old posts here. I’ve been sorting through them and fixing broken links — SO MANY broken links. The writing was lousy, and the opinions were often lousier. I was a kid when I started this thing, and I like to think I’ve relaxed a bit in the intervening twenty-three years. Maybe the opinions aren’t quite as strongly held as they were then, either. I find the world a funnier place than I did back then, a more wondrous place, even as it is more confusing than ever.

In 2006, I picked up a microphone and became a podcaster. We have a website for the network TruStory.FM, and every episode of every show has an associated post there. But there’s a sausage churn that goes into preparing for the shows I host, and I often find I’m missing a vessel for the thoughts, the research, and the resources that go into the process of making the shows we make. I had a Twitter account since the place opened and often posted links there. I deleted that. For a while, I used Facebook and Instagram. I’m not very good at those. I have Mastodon and Threads, but they’re very new and my account is not well-trafficked. I did start posting over there, but then I read this piece from blogger and fellow Prince fan, Anil Dash, and hit home. He opens the piece talking about all the wonders of the messy internet, then:

The era I’m talking about is 2000. But it could just as easily be 2024, because this new year offers many echoes of a moment we haven’t seen in a quarter-century. Some of the most dominant companies on the internet are at risk of losing their relevance, and the rest of us are rethinking our daily habits in ways that will shift the digital landscape as we know it.

In the early-2000s, I got on the social media train. I was incredibly bullish about the wonders of the social internet. They’ve had years of taking my content and churning it up and in all that time, I find it increasingly hard to find it again. My own work. It’s just gone. I need a new place, a place that’s mine, and I’m pretty sure It’s Me Pete is going to be that bucket going forward.

I’ve been working hard to get all the posts cleaned up, but it’s going to take a while. Going forward, here’s a bit of what you can probably expect.

I’m writing now. The manuscript is due to the publisher next month, so as I write this, it’s really an excuse to clear my head for a spell before I get back into editing. Once that’s done, you can bet I’ll be writing about writing quite a little bit. I wrote another book last year for National Novel Writing Month that I’m actually thrilled about, and I’m eager to get back into editing mode over there in a few weeks.

On the podcasts, I talk about movies, anxiety, ADHD, emotions, and pop culture. I’ll try not to post much about politics. I’m not a political blogger, and I find when I try to write about the state of political discourse, I just get mad. That’s not great for my blood pressure, and frankly, there are vastly more interesting and involved citizens out there doing the work. When you come to me, you come for nerd stuff. I’m a pretty diehard macOS guy, too. Probably some stuff about Apple products will ooze into the new blog.

I think I’m supposed to thank you for making it this far. So, you know, thanks for making it this far! You’re the best!

No, it’s not a surprise. But Harris (former Google design ethicist) outlines the three big things you can do to reduce your device’s hold on your life.

  1. Turn off all non-human notifications
  2. Change your screen to grayscale (this is my favorite — never even occurred to me, but it’s brilliant)
  3. Restrict your home screen to everyday tools

That last point is part of a housecleaning I do every few months and I recommend it. Take a few minutes to manually move all your apps to your second screen leaving only one app that you’re sure you use every day. From there, each time you open your phone to perform a task, consider whether your frequency of performing that task requires the app to be first-screen accessible. Over a few days, you’ll have all the apps you really use back on the home screen and likely have cleared a bunch of cruft in the process.

(more…)

A lovely and dark meditation on Goya from Nerdwriter. It is appropriate timing to remind us of the cycles through which we travel culturally, politically, and intellectually.

Blade Runner 2049 is my favorite film of last year. It’s aged well, and for lovers of the original, it’s practically a love story. This post from Thomas Flight is a celebration of the motifs Villeneuve and Roger Deakins applied to bring us a new story that feels so deeply rooted in the universe of Blade Runner.

We did a breakdown on the film when it opened on The Next Reel Film Board last year.

Terrific summary from Brian Alexander on this study from a Bard College research team:

What would happen if the United States decided to cancel all student debt?

A Bard College economics research team (Scott Fullwiler, Stephanie Kelton, Catherine Ruetschlin, and Marshall Steinbaum) decided to explore what such a bold near-term future could look like in “The  Macroeconomic Effects of Student Debt Cancellation” (pdf).

The tl;dr result?  It’s a good idea for the country, for debtholders and non- alike.  “Student debt cancellation results in positive macroeconomic feedback effects as average households’ net worth and disposable income increase, driving new consumption and investment spending.”  They find other, noneconomic benefits as well.

Just showed the kids Anything for Love. They were most confused by that.  Funny the things I’ve never asked. 

We often talk about Apple as a company that does things a little differently when it comes to marketing. You know, that whole “reality distortion field” gets hauled out from time to time to talk about how Apple hooligans fall for the company’s emotional industrial complex as they line up to buy their 7th consecutive iPhone.

By comparison, Apple has a contrarian approach to the market. They sell primarily on function and secondarily on features. They focus messaging strictly on brand lift rather than that which lifts the sector. They limit their line width and depth to those products that offer core functionality and let the economy spring up around those products supporting fringe needs. That’s why we don’t see a waterproof iPhone, for example, and see a robust market for accessories that fill the waterproof need.

While that’s clear if you’ve been watching Apple for a while, it became so much more clear yesterday at the company’s iPad Air 2/Retina iMac announcement.

I find this image fascinating, not for what it presents, but for what it omits. This image made the presentation twice, reinforcing Apple’s core product line. But, what?

From right to left, we have the iMac, presumably the retina model, the engine in Apple’s consumer desktop line. Then comes the MacBook Pro Retina, the flagship of the company’s laptop line. Then, the iPad and iPhone, measuring sales in the multi-hundreds of millions of units around the world and propelling the company to riches since the iPhone launch in 2007.

Then we have oddities. The Apple Watch sits at the end of the line, a product largely shrouded in mystery, unreleased in a wearables market that can only graciously be described as confused based on current competition in the space. We have no reliable data on how this product is going to perform, and it targets segments that range from teens on the low end to the top 1% on the high, a segment spread wider than just about any other in Apple’s catalog.

Still, unreleased.

And whither the Mac Pro? The trashcan rocket ship positioned at the highest of the high-end power hogs — the editors and engineers looking to eke out every last cycle — is nowhere to be found on this lineup of Apple’s usual suspects.

This image is important because it represents in clearly what is important to Apple. It’s an example of the kind of focus long legendary at the company, the practice of saying 1,000 no’s to every yes. Even better, it represents a pure example of marketing actively developing on a global scale. Focus on the products that leverage the internal strengths of the organization in the development of them. Differentiate to satisfy the needs of the majority of potential users in a segment. Demonstrate those products satisfying those needs effectively and clearly across channels.

Apple’s communications success is less the result of some sort of magical hypnosis than it is the application of clear, pure, and unadulterated marketing skill embedded across the company. It’s often taught, though rarely applied. And that, as it happens, makes all the difference.

One of the core tenets of my courses at Marylhurst University is context. When we work to define context for our study, we provide a framework for broader understanding of the world around us. We’re then able to see how we impact culture, and how culture thereby impacts us in return. 

I love this stuff. I’m sure most of my students hate me by the time we’re through with our time together. No, it’s not a new thing, but it’s my thing, and I’m sticking to it. 

That’s why I’m so excited to be participating in ConnectedCourses this month with talented educators and thinkers. The premise: 

Connected Courses is a collaborative community of faculty in higher education developing networked, open courses that embody the principles of connected learning and the values of the open web.

In short, we’re studying together the promise of federated learning, learning that counts on educators and learners building their own platforms and connecting them together using open web technologies. These instructors have been building courses calling on students to publish their own blogs, learning in public, syndicating the results of their studies in a way that leverages collaboration in a new, exciting — and terrifying — fashion. 

I’ve been teaching using a closed platform by comparison, Moodle. Moodle is a wonderful open source tool, but the implementation of it at my institution is closed, a space in which students are able to connect with one another — the 15 or so students in their own cohort — but isolated from the braintrust outside the university’s walled garden. 

As a result, students lose control of their work when finished with each course. But what about their opportunity — their obligation — to contribute to the body of knowledge? What about their ability to control the work they’ve done, to share it beyond the confines of the course? These things pain me each time I cross a brilliant insight from my students, and it’s becoming more and more clear to me that part of my role as an instructor goes beyond lectures, probes, and assessments. It’s about teaching students to contribute more fully as a member of our society. 

Even as my own institution’s technology defaults to closed, I’m heartened by two things. First, I have been consistently supported in my own meager experiments to push the classroom experience with new tools and experience with media. Second, our own Dr. Nathan Phillips, director of our Center for Learning and Technology, invited me to join this course. That speaks volumes toward the institutional awareness of change and the promise of greater, broader connections to come. 

Andy Ihnatko does the yeoman’s work of building the resume for Letterman’s band:

Here’s a coincidence for you: earlier on Monday, a friend of mine and I were talking about late-night talk shows and he praised The Roots as being every bit as good as The CBS Orchestra.

I didn’t disagree with him per se. But I had to raise the point that Late Show With David Letterman presents The CBS Orchestra with many, many more opportunities to show their range and talent than The Tonight Show Starring Jimmy Fallon creates for its band, and they’ve had 30 years in which to show off. The band doesn’t just play the show out to commercial and back again. They’re also the house band. Over the past thirty years, they’ve backed up every style and genre and generation of musical guest. I hope The Roots are given the same opportunities (because they’re a terrific band) but I doubt it. It’s a shame, because in their Late Night and Late Show incarnations, Paul Shaffer’s band has proven an immense range and depth of skills.

The whole piece is wonderful and includes a set of clips I had to watch from start to finish. Catch this. It’s so, so good.

Greg Klassen makes tables and wall hangings. He expertly weaves the grain of the wood as a topography, splits surfaces with blue glass, and suddenly you’re looking at winding rivers and subtle landscapes.

Jonathan Foley just wrapped up his time on the Chautauqua Amphitheater stage discussing the future of food. To preview his talk, here’s a snippet of his editorial today in the Chautauquan Daily:

You’ve probably heard it many times. While the exact phrasing varies, it usually goes something like this: The world’s population will grow to 9 billion by mid-century, putting substantial demands on the planet’s food supply. To meet these growing demands, we will need to grow almost twice as much food by 2050 as we do today. And that means we’ll need to use genetically modified crops and other advanced technologies to produce this additional food. It’s a race to feed the world, and we had better get started.

To be fair, there are grains of truth in each of these statements, but they are far from complete. And they give a distorted vision of the global food system, potentially leading to poor policy and investment choices.

To make better decisions, we need to examine where the narrative goes off the rails.

The whole piece, and his subsequent talk, is supremely eye-opening. It’s a sober review of the data and a surprisingly bearish view of GMOs when presented through his lens. Worth checking out. And for those who weren’t able to make it to the lecture, here’s his talk, “The Other Inconvenient Truth: How Agriculture is Changing the Face of Our Planet,” from TEDxTC.

Brett Terpstra has been digging deep into tag performance across the Mac ecosystem. Losing Spotlight comments exactly as he describes in this post is what originally pushed me off of tagging in the first place. As with all things Terpstra, there’s much to get from his investigation and given some of the changes he points out here, I might just be able to get back into tagging myself.

Tags are generally safe within the OS X ecosystem, from Darwin tools to iCloud sync, but third-party tools can wreak havoc on your carefully-crafted tagging system. As a proponent of tagging, losing tags inadvertently is a fear (and one shared by any tagger). I’d like to keep this resource growing and would appreciate your input.

Here’s more background on tags in Mac OS.

The Putter from shaun bloodworth on Vimeo.

The Putter is a delightful short film by Shaun Bloodworth showcasing the work of Cliff Denton. Denton is a putter, or more fully, a putter togetherer — a man who puts together scissors by hand.

Everything plays well in this film, from the light on the silver in these delicate close-ups to the mesmerizing music courtesy of The Black Dog. Take four minutes and learn something, then go buy a pair of these things from Ernest Wright & Son for about $68.